About Yanny and her work

Yanny Petters is a botanical portraitist from County Wicklow in Ireland. She works exclusively from life, either in her studio in Glendarragh, Newtownmountkennedy, County Wicklow, or out in the midst of her subject's habitats. Yanny paints in a variety of media, including oils and water colours, and she produces exquisite drawings and fine art nature prints. She also specialises in Verre Églomisé, or painting on glass, an old and rare technique she has been developing and adapting to suit her plant portraits since her years working as a sign writer in the 1980s. Her paintings are in a number of important collections including the Dr. Shirley Sherwood Collection at Kew Gardens, London, and the Office of Public Works in Dublin. She is a member of Visual Artists Ireland, the Irish Society of Botanical Artists (ISBA), the Water Colour Society of Ireland and the Dublin Painting & Sketching Club.

Yanny's YouTube channel

You can see Yanny at work on her YouTube channel.

'Drawn From Nature' 

at the National Gallery of Ireland

Yanny is delighted and honoured to be part of the exhibition in the National Gallery of Ireland, 'Drawn from Nature' which opened on the 7th of March 2020 and runs until August 30th. She has two paintings in the show, 'Bee Orchid' and 'The Plants We Played With'.

Curated by the historian and author Patricia Butler with the National Gallery's Janet McLean, the exhibition spans many years of botanical art, including some of Ireland's leading contemporary practitioners. More information can be found here​.

Botanical artists make a vital contribution to our understanding of plants all over the world, for science, horticulture, medicine & folklore as well as for our pleasure in the beauty of garden cultivars. Vitally, this age old tradition continues in light of the threat to our precious habitats, be it the jungles of Borneo, or the Burren of County Clare, the artist's skill in depicting the minute details of plants helps to record these wonders of nature.

Yanny has long admired the work of George Victor Du Noyer, William Kilburn and Wendy Walsh amongst many others which she read about in Patricia Butler's seminal book 'Irish Botanical Illustrators and Flower Painters’ about 20 years ago.

The exhibition features the work of Yanny's fellow Irish artists Lynn Stringer, Holly Somerville, Shevaun Doherty, Jane Stark, Deborah Lambkin, Siobhán Larkin, Margareta Pertl, Susan Sex, & Mary Dillon in the print room at the National Gallery.

Yanny is proud to be part of the great blossoming of botanical art in Ireland since the establishment of the Irish Society of Botanical Artists in 2014. 


Yanny with her painting on glass 'Bee Orchid'.

'The Plants We Played With'

'Hedgerow, stories from a linear world'

Solo exhibition 2019

In her exhibition at the Olivier Cornet Gallery artist Yanny Petters presented a series of Verre Eglomisé paintings, watercolours and drawings from that iconic element of the Irish countryside, the Hedgerow. Exploring her local hedgerows she drew on this many-faceted world to create gilded and painted treasures to inspire the viewer, that we might seek out the wonders of what we so often discount as a bunch of weeds! The hedgerow goes back a long way in our history, dividing and yet holding together a rich habitat that remains after our forests were cleared. Land boundaries can be traced back to Neolithic times and the 12th century Townland boundaries are the country’s longest standing land divisions.


At a time when farming practices are changing in scale many of these valuable habitats are being removed. While we might plant new hedges, it is the ancient ones which support up to 3000 organisms from flowers and trees, birds and animals to insects and microscopic creatures, without which our land would become desolate.


As we become more concerned about a changing climate we will look to hedgerows to serve as windbreaks, to shelter our livestock, reduce soil erosion, aid drainage and provide homes for beneficial predators who protect our food crops from pests. These harbours of biodiversity should be cherished for the health of our future generations.


In her work, Yanny raises awareness of our wild plants, opening our eyes to a myriad of wonders in our local environment. It's not just a bunch of weeds, but truly amazing and beautifully evolved species living in symbiotic harmony. 


The exhibition ran from 13th October to 10th November 2019.

Summer in a Hedgerow

Watercolour on Arches paper  78 x 58 cm

Teasel in Kew

In 2019 Yanny's painting, 'Teasels for Finches' was included in Modern Masterpieces of Botanical Art at the Shirley Sherwood Gallery, Kew Gardens, London. The exhibition featured 265 botanical paintings by 144 artists from 36 countries. It was a great honour for Yanny to be part of such an auspicious show.

'Hedgerow' solo exhibition April-June 2018

Yanny's solo exhibition at The Seamus Ennis Arts Centre, Naul, Co. Dublin, took place from April to June 2018.


In this exhibition at the Seamus Ennis Arts Centre Yanny presented a series of monotype nature prints and drawings of the plants associated with that iconic element of the Irish countryside, the Hedgerow. 12th Century Townland boundaries are the country's longest standing land divisions which support up to 3000 organisms, from flowers and trees, birds and animals to insects and microscopic creatures without which our land would be desolate.

A Hedgerow is not just a bunch of weeds, but truly amazing and beautifully evolved family of species living in symbiotic harmony. 

Hedgerow Bank 1

Monotype Nature print A/P  66 x 45 cm

Golden Fleece Merit Award

Yanny was delighted to be awarded a Merit by the Golden Fleece Awards in 2017. It was a great honour to be recognised in this way and helped Yanny focus on the next stage in her Verre Églomisé work. You can read more on the Golden Fleece Award website.

“Come with me, I’ll show you something beautiful”

“Komm mit mir, Ich zeig' Dir ‘was Schönes”.

Yanny's solo show at the Olivier Cornet Gallery October/November 2016. 

Twelve glass paintings inspired by and in memory of the artist's mother Wilma Petters.

Teasel for Finches (November)

159cm x 48cm 2016

Dr. Shirley Sherwood Collection, Kew, London

Bluebells (May)

66cm x 45cm 2015

Rosehips with Palm Fronds (October)

60cm x 38cm 2016

Group show, 'Republic' at the Olivier Cornet Gallery July 2016

Yanny chose to depict the Easter Lily in Verre Églomisé as she wanted to reflect the nearness of Harry Clarkes' studios at 33 North Frederick Street, just around the corner from The Olivier Cornet Gallery. The Clarke Studios were damaged during the Easter Rising. The St. Gobnait window, in the Honan Chapel in Cork, was in the making at the time but thankfully was not damaged. Clarke's works for Coleridge's Rime of the Ancient Mariner were destroyed at the time.


Yanny's technique picks up on the drawn designs for stained glass, known as Cartoons, the translucence and use of deep blues and the use of seemingly random devices to 'fill' small spaces between designs which are part of Clarke's work. The designs in acid etch indicate a shadow of the Arts and Crafts Movement which spanned the period from 1880s to 1925. All in all the piece is inspired by the meanings attributed to The Easter Lily which were the reason for Cumman Na mBan's use of it as a symbol of remembrance for those who died during the Rising.

Calla Lily  Easter Lily

Verre Eglomisé 2016

80cm x 28cm

Water Colour Society exhibition prize

Yanny was thrilled to be awarded the Whytes Auctioneers prize at the Water Colour Society of Ireland's annual exhibition in September 2015 for her painting of a Calla Lily. The award was presented by Ian Whyte.

Success at Bloom 2015

Yanny was awarded a gold and bronze medal and a Best In Show commendation at the third annual Botanical and Floral Art in Bloom exhibition at Bloom 2015, the flower and garden show held in Dublin every June bank holiday. The gold medal (and Best In Show) in the floral category was for her block print 'Meadow with Plantain and Speedwell'. The bronze medal in the botanical category was awarded to her watercolour study 'Apple Malus'. Yanny was thrilled and honoured to receive these accolades for her work, particularly as she has been experimenting with block printing techniques.

Yanny with her gold medal and best in show winning print.

Yanny's bronze medal winning water colour 'Apple Malus'

Botanical Art In The 21st Century exhibition

Two of Yanny's paintings on glass, 'An Irish Meadow' and 'Common Moss' were selected for the exhibition of works from the Shirley Sherwood Collection Botanical Art In The 21st Century in Kew Gardens, London, which was held from February 6th to August 10th 2014. 

An Irish Meadow

Verre Eglomisé 2004

79cm x 41cm


Ribwort Plantain Plantago lanceolata, Narrow-leaved Bird’s Foot Trefoil Lotus tenuis, White Clover Trifolium repens, Brown Bent Agrostis canina, Slender Brome Bromus lepidus, Moss Eurynchium praelongum and other grasses.

Common Moss Polytrichum commune

Verre Eglomisé 2003

45cm x 45cm

Two of Yanny's works, 'Wild Strawberry' and 'Self Heal', which were acquired by the Office of Public Works (OPW) during her 'Floral Alchemy' show at the Olivier Cornet Gallery in 2013, were selected for the 16th Art of the State Exhibition 2013 'Encounters'.


'Encounters' is part of a series of annual joint art exhibitions organised by the Department of Finance and Personnel (DFP) in Northern Ireland and the OPW in the Republic of Ireland with 40 works (20 from each collection) selected from both collections. Each art work was paired with one from the other collection, creating a dialogue between the pairings. 


The exhibition toured Ireland by travelling to four destinations, two in Northern Ireland and two in the Republic. Destinations were Derry, (City of Culture 2013), Lisburn, Cork and Limerick.

Wild Strawberry

Self Heal


An exhibition of Yanny's Verre Eglomisé panels depicting selected Irish wild flowers and plants was held at the Olivier Cornet Gallery, 1 The Wooden Building, Exchange Street Upper, Temple Bar, Dublin 2 between April 24th and May 24th 2013. The exhibition was opened by Dr. Hilary Pyle, HRHA.


You can learn about Yanny's use of the Verre Eglomisé technique and its fascinating history by clicking here.

© 2020 Yanny Petters